The Big Shot 1929

 

Fat and Snub are a reporter and photographer who try to track down a reclusive Scotsman for an interview and photo.
Director: James D. Davis
Stars: ‘Snub’ Pollard, Marvin Loback, Thelma Daniels

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The Hussar of Death (El Húsar de la muerte) 1925

El Husar se la muerte

This is Chile’s most famous silent film, it is the story of freedom fighter Manuel Rodriguez and his guerrilla war against royalist forced during Chile’s war for independence.

The Death’s Hussars was a paramilitary body formed by Manuel Rodriguez after the disaster of Cancha Rayada, the 23 of March of 1818 in the period known as Patria Nueva of the Chile Independence.

Their uniform was identical to Hussars of Galicia’s, but in black, with a skull over two femurs in the neck. Manuel Rodríguez had already used a captain uniform when he was part of the Hussars of the Great National Guard in their 1813 campaign in Southern Chile; his friend José Miguel Carrera pushed him to use it.

The film tells the tale of Manuel Rodriguez’s dramatic guerrilla campaign and showcases his magnetism and idealism. In the movie you will see him wear the black uniform with the skulls.

Intertitles are in Spanish only

Directed by Pedro Sienna
Produced by Alfredo Wolnitzki
Written by Pedro Sienna
Hugo Silva
Starring
Pedro Sienna
Piet Van Ravenstein
Clara Werther
María de Hanning
Dolores Anziani
Hugo Silva
Piet van Ravebstein
Luis Baeza
Octavio Soto
Federico Geimza
Guillermo Barrientos
Emilia Sierra
Ángel Díaz
Víctor Véjar
Cinematography Gustavo Bussenius
Distributed by Andes Films.
Release date
November 24, 1925
Country Chile
Language Silent

 

 

The Hussar of death

Intertitles are in Spanish only

El Húsar de la Muerte (Spanish: The Hussar of the Death) is a 1925 Chilean silent film movie. El Húsar de la Muerte was directed and starred by Pedro Sienna.

The movie narrates the adventures of the guerrilla leader Manuel Rodríguez during the Reconquista, until his death in 1818.[1]

The movie lasts 65 minutes, and was premiered in Santiago, Chile, on November 24, 1925.

Of around 78 silent films made in Chile only three survive; the fate of most was to be sold to comb factories for their celluloid content and El Húsar de la Muerte escaped only thanks to the diligence of restorer Sergio Bravo. Chilean cinema had been fired by the showing of the Lumières’ films in Santiago in 1896, and although never prolific or developing an industry infrastructure, native films began to appear in a steady trickle. El Húsar de la Muerte is a rough and ready account of the life of Manuel Rodriguez, legendarily instrumental in the country’s liberation in the early 1800s; his life had inspired the very first Chilean feature, and Sienna had already taken the lead for Arturo Marion in the second version of 1920. His return to the story was hugely popular and immediately hailed as the greatest of all Chilean films. It may lack in sophistication, but the tale is told with some pace and wit; now declared a National Historic Monument, it enjoyed popular revivals in the 1960s and 1970s, when the time for a revolutionary hero had returned. A rare and valuable survivor both for cinema history and for the history of its people.

© Time Out Film Guide

Director: Pedro Sienna
Writers: Pedro Sienna, Hugo Silva
Stars: Pedro Sienna, Clara Werther, Piet Van Ravenstein

Feet of Mud 1924

feet ofMud

As Harry has “cleaned up” on the football field and won the big game, Natalie’s dad figured that he should do the same in the world of work before marrying his daughter. Harry’s chance to prove himself comes with an “engineering” job with the city. But it’s sanitary engineering, and while our street sweeping hero tries his best, he just can’t avoid making enemies. When he stumbles into the midst of a lively Chinatown tong war, it’s Harry’s bravery that saves Natalie and wins the day.

Director: Harry Edwards (uncredited)

Produced by Mack Sennett
Stars: Harry Langdon, Florence Lee, Natalie Kingston

Evangelina 1929

evangeline

In Acadia, now part of the Canadian province of Nova Scotia, young Evangeline is betrothed to Gabriel. But before their wedding can take place, the British imprison the men and send them into exile with their lands forfeit to the Crown. Evangeline follows the exiled men in hopes of finding her beloved, but even after he and the other Acadians are released in Louisiana, she cannot find him, always arriving at some locale just after he has departed. But she dedicates her life to searching the continent for the man she loves.

—Jim Beaver

Director: Edward Carewe
Screenplay: Finis Fox
Music composed by: Hugo Riesenfeld
Story by: Henry Wadsworth Longfellow

Stars: Dolores del Rio, Roland Drew, Alec B. Francis

Idle Eyes 1928

idle eyes

Comedy/short

The film begins with Ben Turpin looking for some food. He’s a hobo and is resorting to trying to steal food from a baby. That ‘baby’ is actually four year-old midget, Billy Barty.

Director: Leslie Goodwins
Stars: Ben Turpin, Georgia O’Dell, Helen Gilmore

The Fair Co-Ed 1927

8.1/10 · IMDb

the fair coed

Marion (Marion Davies) decides to go to Bingham College because her crush, Bob (Johnny Mack Brown), is a women’s basketball coach there. After Marion becomes the star basketball player, she butts heads with Betty (Jane Winton), who is also chasing after Bob, and ends up quitting the team before the championship games. The team loses the first game, and Marion is spurned by the school. Realizing she’s made a mistake, she returns to the team — but not all the girls are willing to take her back.

Director: Sam Wood
Produced by Sam Wood
Story by: George Ade
Screenplay: Joseph W. Farnham, Byron Morgan

Stars: Marion Davies, Johnny Mack Brown, Jane Winton

The Eyes Have It 1928

the eyes have it

A beautiful young woman is rescued by Ben and gives him her photo. When it is found in his pocket, his henpecking wife and shrewish mother-in-law immediately jump to the wrong conclusion and go on the warpath.

Director: Leslie Goodwins
Cast: Ben Turpin, Jack Lipson, Helen Gilmore, Georgia O’Dell