Also know as The Eclipse of the Sun at Full Moon
An astronomer of age, wealth, and erudition conducts classes in his home. His students are not always respectful, and he suffers their pranks and high jinks. Then, at noon, everything darkens and the astronomer hurries upstairs to his telescope. It is an eclipse of the sun, and through his glass, he sees a female moon coming toward a masculine sun, flirting as they move closer to what becomes a consummation. The heavens erupt with showers of stars that become women. In his excitement, the astronomer loses what little dignity he has left.
– Written by <firstname.lastname@example.org>
The Eclipse has been remarked upon for its overt sexual symbolism. Christine Cornea posits that the film’s primary theme, the clash of scientific logic with sexual desire, was also evident in Méliès’ earlier films A Trip to the Moon and The Impossible Voyage, and would become a prominent in many subsequent science-fiction films.
Some scholars, interpreting the Sun and the Moon to be both male, have described the erotic “eclipse” as an early depiction of homosexuality in cinema, with an “effeminate” Moon being seduced by an “devilishly masculine” Sun. By contrast, Méliès’s film catalogue describes the liaison in heterosexual terms, referring to the participants as “the man in the sun” and “dainty Diana” and using pronouns to match.
Director: Georges Méliès
Star: Georges Méliès